
“The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.”
Marcel Proust
Illustration by Marcela Calderon
“The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.”
Marcel Proust
Illustration by Marcela Calderon
I recognized them, they’ve been here before; they come through the door nonchalant and smooth, and head straight for their shelf.
They both lean into the shelves the same way, head on the necessary angle, flip the pages and look closely at the back of the book. If it suffices, they straighten and hold the book up for each other to see.
They lean back and grin at each other. They whisper and nod and examine book after book.
They cradle the chosen ones in their arms and move on to the next shelf.
Painting by Edward B. Gordon
“I meant,” said Ipslore bitterly, “what is there in this world that truly makes living worthwhile?”
Death thought about it.
CATS, he said eventually. CATS ARE NICE.”
Terry Pratchett, Sourcery
A selection of 6 opening lines I really really like:
1) “In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages.”
Perfume by Patrick Suskind
2) “Hale knew, before he had been in Brighton three hours, that they meant to murder him.”
Brighton Rock by Graham Green
3) “It was Mrs May who first told me about them. No, not me. How could it have been me – a wild, untidy, self-willed little girl who stared with angry eyes and was said to crunch her teeth.”
The Borrowers by Mary Norton
4) “Upstairs in my brain, there lives this kind of cut snake virus in its doll’s house.”
The Swan Book by Alexis Wright
5)”It was night when the Nargun began to leave. Deep down below the plunging walls of a gorge it stirred uneasily.”
The Nargun and the Stars by Patricia Wrightson
6) “The old bus is a city reject. After shaking in it for twelve hours on the potholed highway since early morning, you arrive in this mountain county town n the South.”
Soul Mountain by Gao Xingjian
From where I sit, I can hear everything that happens outside the shop. And see everything. All I wanted to know was how these three were related because they clearly were. They were familiar; they knew each other because they finished each other’s sentences and commanded the group while ignoring each other’s commands to achieve the same thing.
She had left something at home.
‘God, where is it then.’
‘Don’t know.’
‘Jesus.’
The other she, and the accompanying he, stood and looked at the culprit, who was on her phone.
‘Might as well go home.’
‘The phone looked up. ‘We don’t even need it. Stop frothing.’
‘God.’ They all turned away from each other.
He got back in the car. The young women looked at each other. One came up to the door and looked in.
‘God. It’s a book shop.’
She returned to culprit, and they both stood looking down at her phone. Culprit was chewing gum fast.
‘Stop looking like that.’
‘We’re going home. Get in the car.’
So they didn’t come into the shop and buy a book. They went home. I watched them through the window in the front room. When they drove off, he was smiling.
Illustration by Jack Vittriano
“There’s no such thing as perfect writing, just like there’s no such thing as perfect despair.”
Haruki Murakami, Hear the Wind Sing
Illustration by Selcuk Demire
They almost have their eyes on the glass. I can hear them through the door.
‘Do you reckon this is mask-wearing territory?’
‘What do you say babe, want to go in?’
They adjust their masks and come in. She is serene and quiet and pearlescent and powerful. He is broad and outdoors. He bounces on his feet, cannot contain his energy, calls me ‘mate’, wears his mask crooked, and whistles with admiration at basically everything. He kneels down, stands up, bounces, straightens his shoulders, turns around, alive with purpose.
‘What can I get babe? I could go for this.’
He chooses Nicholas Nickleby. She already has a stack of Charles Dickens chin high. She said, ‘Mmmm.’ He said, ‘Babe, we should get out of here.’ Then to me, ‘Excuse me, what’s your oldest book here.’
He and I searched the books, looking for dates. He said:
‘Cool.’
‘Sick.’
‘Mate. Radical.’
Then he said to her, ‘We should get out of here, babe. I’m going nuts, look at all these.’
She said, ‘Mmmm.’
They come to the counter to pay for their books. I say, ‘Do you want a receipt sent to you phone?’ He does. I ask for his number.
‘Are you cracking onto me?’
I am pleased with his joke because he is young and I am not, but his partner gives a scream of laughter.
‘My God, as if anyone would crack onto you.’ She can’t stop laughing.
He tells me they want books for their library. For their caravan. And for their kids.
They both look at her stomach, just a flicker of a look, but I saw it.
Illustration by Deborah Dewitt
“Time is a game played beautifully by children.”
Heraclitus, Fragments
Illustration by Michele Mozzone
Aunty Facility is a bit of a legend. The little boys flicker through her name, liking the sounds but aware of the stalky pitfalls of so many sounds. That’s how she became Aunty Facility.
She is always a vision in red. She likes clay and wood, wool and sky, chunky falling jewellery, and sound spas. And chocolate. Also, labyrinths, and making things out of weird stuff. And pilates.
Aunty Fesisity is always a vision in red.
Aunty Ficity is always there at Christmas.
Aunty Ficistity is always there at birthdays.
Aunty Fissy is here right now, it’s a good warm evening, and we’ve put our champagne glasses down on the prickles in the orchard, so we can stand close to each other and sort out the family. We are experts on each one of them. If only they would listen to us.
Aunty Fissy has carved a valley through our lives. This is because she’s individual and a lone ranger, much like her mother was. Answers to her own lungs.
Aunty Fisties likes to dance, her way. And she always says, ‘I don’t know’, in a useful tone that invites me to say what I know, which is not much, but she always admires it anyway.
Once she poured Coca Cola over a roast pork to make the crackling good. I was impressed. Culinary! She lives in Melbourne, land of multiwondrous food and dickheads who can’t drive. She never shuts the toilet door when she’s in there in case something happens in the next room that she might miss.
She cries in front of people; I never knew such power until I saw that. Later, I wanted my children to experience her, as though she were another country or something. Which she is.
She’s always interested in things, much like her own mother was . This makes the life she’s interested in gain value and to keep on gaining value. This means our lives. My life. People who do this never know they do it. Instead they look doubtfully at their own life and wonder about its value, which is of course, beyond value, beyond words.
Aunty Fisins suffers from road rage. Once, we were tearing down St Kilda Road, and she said, ‘don’t you look at me like that you bitch’, to the lady in the next car. I was impressed.
Aunty Fiscal bought a folding bike to get fit. Then she sold it.
I am glad my small grandsons get to experience Felicity as though she is an entire empire or something, because she is. Hope she keeps on expanding and doesn’t go back to Melbourne, land of dickhead drivers. Hope she doesn’t give up on us, family, because for one thing, I drive like a dickhead, and also, we all need her.
“The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.”
Ursula K. Le Guin, Dancing at the Edge of the World: Thoughts on Words, Women, Places
Illustration by Lorenzo Mattotti