Liking the new spaces in the shop

There are two rectangular bookshelves in the front of the shop, side by side and shoulder to shoulder, bone to bone. The books are not related. But they still get on because they’ve been shelved so precisely that they must. They take up and face out, exact squares of meaning. Customers say, ‘This looks nice.’

I think they’re referring to order. Order is nice right now. When you open the door to the shop, there’s a big new free space. We moved the counter back out of the way. I prefer to be out of everyone’s way. You can get your pram in now. The space is bordered and held by bookshelves holding all kinds of possibility. That’s what I call it because you can get in the door so easily that the rest of the shop seems possible. My assistant, Callie, came in and saw the new arrangement for the first time. She said, ‘I like.’

The books sit tight and obedient. But their contents don’t. There are all kinds of strange books sitting there looking at the visitors coming in. When visitors come in, they move their heads from side to side, fast and interested. Then they say, ‘This is nice.’ They look carefully and softly at simply everything. Spike Milligan. Andrew Lloyd Webber. Blinky Bill. A Biography of Judy Dench. Longfellow. Asterix and the Soothsayer. European Trains in the 19th Century. We’re Going On A Bear Hunt. Rabindranath Tagore: The Complete Writings.

‘Just get it over and done with…..like…hello?’ I overheard this from two teenagers passing the door and discussing getting things over and done with. The girls walked shoulder and shoulder, heads together, dragging schoolbags.

A man came strongly through the door into my new space and then backed out again. He said, ‘Zen moment. Sorry. Books here. Sorry.’

When visitors come in together, they stand for a little while and whisper to each other. There’s no need to whisper though. It’s not a quiet place. Books are not quiet.

A mother and child browsed a while and left looking happy. The mother had bought The Prophet by Kahlil Gibran. She said, ‘I want to cry’. At the door the child said, ‘I’m going to die from holding in my pee’, and the mother screamed with laughter. I thought that was good.

On the inside facing directly outward so I can see everyone going past and everything that happens

Now it’s even harder to miss people. I’ve had my counter moved so it sits facing the door. I’m facing that outside space where everything  happens. I don’t have to turn my head anymore.

Things happen at lightening speed. Sometimes a person passes so fast that all I catch is an expression. The thing is: I recognize the expression even though it’s tied to their life and their shopping lists. But it’s good to be part of such a rich and filthy diorama: no solutions, no control, all cream and vinegar and colour.

Sometimes all I catch is a body movement: a shrug or a gesture. And I recognize it, and it looks good. We aren’t aware of how precise our muscles are. Or how delicate. A cheek muscle can express at least a couple of years of solid participation.

All sounds are caught in the scoop of my doorway. Sometimes it’s sheep, caught up in their own private woollen hell, squashed into a truck parked outside so the driver can get to the bakery.

Once two tradesmen (there are always tradesmen) argued at the back of their parked ute. They wore the obligatory orange and blue. One man was talking. The other looked at the ground and shook his head. I liked the way he shook his head at the ground rather than at his friend. This is how I knew they were friends. The road outside was quiet that morning. There was just them. They couldn’t see me. A bookshop is the most invisible of shops. The man looking at the ground said, ‘Jesus. Just hand it in then. Tell ‘em to get fucked.’

The other man nodded and nodded and nodded. Relief.

Once a walking floppy child went past hand in hand with mum. They stopped to look at my wooden smiling cat that guards the front window. The child was turning to soft sad tired rubber. Mummy was trying to cajole her home.

‘Look at the cat. And look at this. It looks like you.’ The child’s face, dripping downwards, suddenly solidified and turned warm. ‘Is that me?’

‘Yes, do you think?’

‘It’s me. Can I have him?’

‘No, he lives here.’ And they moved slowly on, a shopping bag and a jumper dragged along because they were necessary too.

An old man limped past; a lady next to him: his wife. He was being scolded by his wife. They were working hard at the walking but were going slowly. Suddenly he lifted both arms into the air, a gesture meaning that he had no words for it. He eyes flicked sideways and saw the gesture. Then they were out of my sight. Do you get to an age when there  are no adequate words for it? Imagine outliving language.

Once three ladies came in, taking ages to get through the door because they were bringing books in for me. One lady was bent over arranging the bags. They were Woolworths green shopping bags full of books. When she lifted her eyes to me to see if I was pleased with their gift, her eyes were there. Looking at me and at nothing else. The ladies bowed to each other and to me and to the shelves. The kindness of it defeated me that day. I didn’t know what to say.