Why read?

I’ve set this out before. Here it is again. Reading is complex. Think Warlight by Michael Ondaatje. Reading’s not watching, and it’s not travel. It’s not something to do. It’s something you become, like fatigued, alert, or in love. This is because a book, once ingested, becomes part of your soft-lining.

Read: because it’s effective. Once read, a text will continue to inform you. It will exist in the muscles around your eye sockets. You cannot remove this new insight. Think That Deadman’s Dance by Kim Scott.

Best to burn books, or ban them, or just not read them, if you want to stay vanilla.

Read: because it’s powerful. Once read, you’re changed. You may not think so. But who can hear their own voice change? You’ll be the last person aware of it.  Think The Luzhin Defense by Vladimir Nabokov.

Read: because it’s enraging. Once a text enters you, you’ll be challenged on a terrible level.  This is the level of your own self-you. Think of those books that suggest it’s time to leave the awful struggle on the road. Let it flap back to it’s own necessary family.  Think What You Can See From Here by Mariana Leky.

Read: because it’s expansive. Inside, you blow larger, and you won’t be able to restore your old favourite self damning dimensions. Think I Heard The Owl Call My Name by Margaret Craven.

Read: because it’s confronting. We’re all recovering from something. Reading prevents our self-denial from becoming too comfortable by allowing comfort. Think Where the Wild Things Are by Maurice Sendak.

Read so you’ll be forced to contemplate an example of precise and dazzling beauty. Think These Possible Lives by Fleur Jaeggy.

Read because it’s comforting. Open your courage flaps and allow in a couple of astonishingly simple but completely new and healing ideas. Think My Goblin Therapist by Morgan Taubert.

Read, because the great texts are written by good solid failing people, and not generated by AI content tools that are sleek with success and without human allergies or proper death. Think A Confederacy of Dunces by John Kennedy Toole.

Read because we basically don’t know anything. Think The Ugly Tourist by Jamaica Kinkaid.

Read because we basically think we know everything. Think Wide Sargasso Sea by Jean Rhys.

Read: because the great texts take risks, and they insert tight unnoticed gems of permission into our poor flat salads. Think Mist by Louise M Hewett

Read: because once you’ve experienced the greatest writing, you too will quietly flake that same humility and insight onto your own breakfast table. Think The Vivisector by Patrick White.

You can’t forget. Think Ping by Marjorie Flack.

You’ll be enraged. Think Game of Thrones by George R.R. Martin.

You’ll be desolate. Think A Little Life by Hanya Yanagihara.

Think Collete. Think Margaret Atwood. Think Brain Moore and Amitav Ghosh. Helen Garner.

Elizabeth Bishop.

What is power? Tolkien, tell me. Suffering. Baldwin. Anger: Terry Pratchett. Vision: Huxley.

The Odyssey. You think it’s not relevant? Fools. The Very Hungry Caterpillar: we are you.

James Joyce. Sigh.

Of course, a Good Bookshop will put all these books right in front of you so you too can share in the glory. But not in my bookshop because I already took all these books home, and I’m keeping them.

LOL.

It’s too cold if anything

There’s a man out there trying to get into his car via the passenger side, but it’s locked. He’s rattling away at the door handle looking puzzled and peering through the window into the car interior.

Now he’s standing looking up and down the road. Then a woman appears, coming from the right at a fast pace and slowing down. She’s wearing everything in blue.

‘Where’d you get to?’

‘Around the corner.’

‘I’ve been waiting.’

‘Rubbish. Here’s the keys.’

There are two people wearing masks at the door but not coming in. Just looking through the glass, their faces side by side and close together. She says,

‘What a beautiful place.’ They do come in. She has beautiful leather shoes and a moss grey cardigan and a pink bag, which she abandons on the floor next to Vintage Classics, and he goes over to Art.

An old couple pass my door, going toward the bakery. She’s laughing the whole time. She can hardly breath for laughing. The sounds fade away, but soon they come back. He’s carrying a loaded cardboard tray. She’s laughing and puffing. She says, ‘

‘Not a day for getting married. Too cold if anything.’

He says, ‘What’s it matter?’

She laughs and laughs and has to hold onto the edge of my window. Then she rights herself and they continue on with linked arms.

Inside, the girl with the soft leather shoes has Dante and seems to be holding her breath.

hands clasped in an attitude of prayer

This is how some readers stand in front of bookshelves in the shop. Sometimes, they’ve spoken to me but forget. But that’s ok. I’ve spied spines on shelves, Breakfast at Tiffany’s, and forgotten what to do.

It’s when we are most able to let ourselves happen.

Other readers pass through as though they are angry, but they’re not. One old lady bent over a wheeled walker seemed angry. But she wasn’t. She bought Paul Gallico’s Mrs Harris Goes to New York. I said, ‘My mum has this book.’ She said, ‘Oh yes.’ And her daughter, who was there to carry the books, shifted onto another foot and looked at her phone. She was angry. But that’s ok. So am I. So are my daughters.

Outside my shop, on Saturday morning, a couple of motorbikes coughed low and steady. Throaty suggestions of leaving. I hoped so. But they didn’t. They were waiting for mates.

A customer said, ‘Noisy buggers.’

‘What do you think I’m gunna do? This was shouted right at the door. A man urged companions straggling along the footpath, who ignored him. He shouted:

‘Come in, come in, come in. Just want to show this book to yous.’

‘We know you Marley.’

‘Na. Na. No way. Ok I’m going in. Watch this.’

He didn’t come in. He was moving through a pastie as fast as he could. And shouting:

‘I don’t know why you won’t come in. I’m not taking the piss. Real.’

‘What book you getting Marley?

‘Facebook. No. Joking. Just come in and look at this. I just want to show you something.’

‘Not going in, Marley. Just fuck off.’

Marley leaned against the post outside my door and finished his pastie, soothed. The group moved on, Marley trailing them, dancing with both arms going from side to side and his head following, strong and rhythmic.

At the door a new voice saying, ‘Oh, oh, oh, a bookshop.’

‘No, let’s go. You won’t cope.’ This couple in the doorway, unable to agree. ‘I’m going in. I need something.’ He want into the front room. His partner leant against my desk and consulted his phone. He said, ‘If Miles was here, this wouldn’t happen.’ He looked at me, and I agreed. Good old Miles.

The partner returned. ‘Come on you.’

‘What’d you get?’

Sword in the Stone. Coffee now?’

‘Yeah.’ They left.

Outside, more shrieking at the window. ‘I want to go to bed and sleep. I lay there with me eyes open all last night.’ Laughter

‘You going in then?’

‘Na.’

A group of people looked through the window, bending to peer through the glass. A man said, ‘Is it books? Not much happening in there.’ They moved on.

But books, being alive, have veins and pores and moisture. Mould spores multiply in the lush haven of a book, the paper growing life and disintegrating lusciously, like us. Liquid and angry, rhythmic, and still having the shopping to do and a good series on Netflix waiting.

Sculpture by Ans Vink

Notes for Saturday

1. It was busy. It was excellent: the antique fair was on, and the town was full of visitors from all over the place, some even from Bairnsdale, who were collecting old things and who wanted a copy of Moby Dick. But I didn’t have one.

They said, ‘Never mind. There’s always tomorrow, ‘and I agreed.

2. There was a knotty commotion outside the door when a family emerged from a car and couldn’t quite get themselves to the bakery.

‘What are you doing Jasmin?’ A young voice, low and outraged. ‘What are you doing?’

I couldn’t see or hear Jasmin. I only heard about her. The brother’s voice sounded again.

‘No. I’m not even kidding. Friggin hell.’

Then I heard Jasmin.

‘Get lost Shaun.’

‘You get lost.’

‘Come over here mate.’  That was dad, who laid a settling hand on Shaun’s shoulders. Shaun said urgently, ‘I’m not even kidding.’

‘I know.’ They disappeared slowly to the bakery, Jasmin hopping behind. She had on a bright red beanie.

3. Someone asked me for Nina George books: ‘I’m looking for the Paris bookshop lady.’ Someone asked me for James Bond books: ‘I’m looking for James Bond.’

4. A young couple piled books into the bottom of their pram, the baby bumping slightly while the volumes were being arranged. They explained to me: ‘We’re making a library.’

5. Outside the door, a teenager said, ‘Where too Pop?’ and then, looking at his phone, followed Pop to the bakery.

6. ‘That’s the second time in Strathalbyn.’ An old lady said this to a friend as they looked through my window. They didn’t look happy. Then one lady said, ‘Look at her sitting at the desk.’ Her friend said, ‘Oh yes. I see.’

7. There was constant clicking and tapping and rustling from the back room. A man opened the door and said to me, ‘It’s ok, I’m just looking for a very distracted lady.’ The clicking and tapping from the back room abruptly stopped and a lady yelled out: ‘I’m here Alan, you go on.’

‘Thank you very much, I will.’ And he did. He crossed the road in sudden sunlight, swinging a bag and his head from side to side.

8. A man looking at books in front of me suddenly looked around and said, ‘My dad was a pilot.’ Then he turned back to the shelf. I felt as though I’d missed a bit of conversation somewhere.

9. Somebody rang for a book I didn’t have. Outside a motorist sounded a horn for a long angry 15 seconds. Inside a lady said, ‘God I hate that.’ Then Sarah dropped in. She’s very pleased with her doctor at the moment but not with the crowds in the town. She said in a glum way, ‘These crowds.’ Then Robert came by, but his order is lost in transit somewhere. He said, ‘Typical Australia useless post.’

10. The town emptying out. More rain, then sparkly sunlight. The last stragglers with coffee and not hurrying. Dog wee on the front of my shop as usual.

Illustration by Bill Bruning

The coffee people

Come into the shop with extra muscles and more blood than other people. Come in grinning. Eyes sparking humorous energy. Can get down to the bottom shelves even when balancing hot coffee; the bottom shelves are fun. They get the music I’m playing, sometimes executing a few imperceptible dance steps next to Biographies.

When the sound of motorbikes shaves the air away from the inside of the shop, the coffee people don’t notice. Coffee is a hot fragrant cushion. The young couple nursing steaming hot coffee look at me and nod happily. There’s another family in here too this morning, flushed and fresh from cold grass and junior soccer. They are on their way to get coffee.

One of their children bought a book about chocolate to the counter. His two golden coins were hot clutched. He handed them to me, hot, clutched, melting.

A smaller girl appeared at the counter, just her face. Then a five-dollar note flapped onto the counter in front of me.

Then her book poked up slowly and was laid next to the five dollar note: Lego Star Wars. I gave her back a coin and her eyes widened, then softened.

The coffee people cross and re cross the floor, going from room to room beaming light, carrying Ernest Hemingway and Chaucer. Reaching for Johnathon Swift, The coffee illuminating and warming sudden new interests.

I can hear children quarrelling smally in the back room.

Now the green grass soccer family are leaving, everyone with a carefully chosen book, and mum with a paper bag, a newspaper, her book, and a son burying his head into her stomach as they bundle through the door and into the cold which isn’t cold for them.

The coffee people continue, ‘What about the collected works of Charles Dickens..?’

‘We’ve got most of them.’

She nods and dives at the lower shelves. Something else.

Notable incidents about today

Robert came in. I was talking with someone else, a fabulous pair from Clayton, but I saw Robert outlined against the brightness outside the door, and I knew it was him: he has a spiky electrocuted outline and eyes like gimlets.

The pair from Clayton left on a bark of humour. We’d been talking about vaccinations. He reckoned he’d been vaccinated with the Calicivirus, but she said that was rubbish. That was when Robert loomed up behind them like a bolt of electric heat from Tutankhamen’s tomb, which was precisely what he was there to talk about.

He tapped the counter and gave me a list of books to find. He is currently reading Zecharia Sitchin. We discussed the possibility of getting the books. He said obscurely, ‘Imagine people thinking money is the thing. Don’t they know it’s books?’ We laughed darkly over anyone thinking money is the thing. Then he said, ‘Leave them alone. Best they keep thinking that. Leaves more books for us.’

Then we became hilarious. Robert laughed his high pitched laugh. It’s a thin voltage, admirable and richly unhinged. People turn around.

Behind Robert I saw Russell looking through the window, and behind him, a brisk lady who called out, ‘Hello there!’ in foghorn font causing Russell to jerk toward the window and nearly collide with the cold glass.

‘Very good thanks.’

In front of me, Robert continued on. ‘I’m getting Herman Hesse. He’s significant and I’ve only got The Glass Bead Game. I need all the rest.’

We googled Herman Hesse. A noble prize winner.

‘Really? Wow.’

Robert always utters really and wow in reverent deep tones, which drop deeper as he talks. Suddenly I, too, am desperate to read Herman Hesse.

I ask, ‘How did you find him?’

‘Don’t know.’ We look at each other and Robert laughs, high pitched and lunatic, and people turned around.  Then we settle down to the real business of the day, which is criticising people who don’t read and Telstra in that order.

Behind Robert, a tradesmen in orange and blue strides toward my door, grabs the handle and swings it competently open. But we are not the bakery, and he reverses, turns skilfully, lifting a phone to his ear at the same time.

Robert continues. ‘I wouldn’t mind a copy of The Master and Margarita’, and I promise to comply. Two ladies have bloomed fragrantly behind him, and he straightens up to leave, courteous.

‘Ok, see you later.’ He is briefly outlined in the doorway. Then gone.

The small tasks that are done on long weekend Mondays

It’s just traffic driving past really, not fast or slow, just endless, and the sky’s dark and the air is grey and cold. Everyone’s going home. Only truck drivers are stopping for food from the bakery. They walk past checking phones and sometimes they look in see me sitting here: one driver smiled and waved. An older couple spend ages trying to park a caravan outside my door. She stood on the footpath waving directions. Eventually they walked past my door; she had a really heavy shoulder bag and stopped to adjust it. She looked cold and annoyed. They both glanced in at me and then away again.

The carpark across the road is empty. There’s just a lady with smooth pale gold hair. She’s coming across to the bakery. She has an evening bag with a long gold chain. She’s dressed completely in motorcycle leather, including the boots. She looks as though she could go anywhere.

Families with small dogs on endless leads: a father has to untangle terriers and little children who won’t let go of the leads, and he says, ‘All right, let’s just do it slowly. Bridget let go a minute, come on.’

A man walking past fast does an about turn and stares at my door. He stacks two coffees and enters hopefully. ‘I’ve lost someone.’

She’s here, looking at books in the back room. She comes out. ‘I’ll be here for ever.’ He hands her a coffee and says ‘Keep looking. Keep looking.’ They stand side by side with their heads on the exact same angle, hugging hot coffees to hearts.

A mother and two small boys sweep past, but the little boys come back and press noses on the window. Then they move away, but the older boy comes back and stares through at something again. Then he disappears, but returns again, and then again. I cannot work out what he is staring at.

There’s a young man eating a pastie. His shoulders are hunched and he keeps one hand in his pocket. He glances backwards without interest into my shop window and away again. A young woman meets him and he says to her, ‘What’d you get me?’

She says, ‘Nothing.’ And he throws his head back and laughs and says, ‘Mate!’ Then he throws his arm across her shoulders and they walk on, and an old man with a grim face and a green Woolies shopping bag walks up behind them, and then a young woman steering a huge pram with just one hand. Her other hand is steadying what looks like loose apples on top of the pram. None of the apples fall; she is so focused on this one important task.

Illustration by Valentin Rukunenko

Liking the new spaces in the shop

There are two rectangular bookshelves in the front of the shop, side by side and shoulder to shoulder, bone to bone. The books are not related. But they still get on because they’ve been shelved so precisely that they must. They take up and face out, exact squares of meaning. Customers say, ‘This looks nice.’

I think they’re referring to order. Order is nice right now. When you open the door to the shop, there’s a big new free space. We moved the counter back out of the way. I prefer to be out of everyone’s way. You can get your pram in now. The space is bordered and held by bookshelves holding all kinds of possibility. That’s what I call it because you can get in the door so easily that the rest of the shop seems possible. My assistant, Callie, came in and saw the new arrangement for the first time. She said, ‘I like.’

The books sit tight and obedient. But their contents don’t. There are all kinds of strange books sitting there looking at the visitors coming in. When visitors come in, they move their heads from side to side, fast and interested. Then they say, ‘This is nice.’ They look carefully and softly at simply everything. Spike Milligan. Andrew Lloyd Webber. Blinky Bill. A Biography of Judy Dench. Longfellow. Asterix and the Soothsayer. European Trains in the 19th Century. We’re Going On A Bear Hunt. Rabindranath Tagore: The Complete Writings.

‘Just get it over and done with…..like…hello?’ I overheard this from two teenagers passing the door and discussing getting things over and done with. The girls walked shoulder and shoulder, heads together, dragging schoolbags.

A man came strongly through the door into my new space and then backed out again. He said, ‘Zen moment. Sorry. Books here. Sorry.’

When visitors come in together, they stand for a little while and whisper to each other. There’s no need to whisper though. It’s not a quiet place. Books are not quiet.

A mother and child browsed a while and left looking happy. The mother had bought The Prophet by Kahlil Gibran. She said, ‘I want to cry’. At the door the child said, ‘I’m going to die from holding in my pee’, and the mother screamed with laughter. I thought that was good.

Paul Keating has an amazing intellect

Somebody said this at my window, tapping on the glass to show his friend that Paul Keating has an amazing intellect. But they didn’t come into the shop.

That’s ok, it’s the school holidays and the readers are out leaping into the shop with narrowed eyes like hunters on the path of something. One young woman announced herself to me but turned midsentence, already at the biographies and not finishing the sentence.

But that’s ok, I needed to sit down after battling the autumn leaves in the doorway again. And again. Every morning they come back and wait for me. My broom is coming apart.

When I was out there sweeping, an old lady asked me, ‘Did you get that book I wanted and can’t remember?’ But I hadn’t found it. I couldn’t remember it either, and she patted my arm and said, ‘Not to mind. I’ll leave you to your sweeping up.’

Sarah came in needing a number for a taxi. She said that what was going on in Lismore wasn’t good enough.

Robert came in after a year’s absence and started right off where we’d finished last May. His newest news was that he’d saved a lot of money by giving up smoking. He’d saved thousands. So now he could buy some books. But then he remembered that he’d taken up smoking again, and he showed me a plastic wallet of tobacco which reminded me of my grandfather. I almost said Tally Ho, but I didn’t. Robert said that the tobacco cost him $150 and looked furious about it. But then he noticed behind me on a shelf, The Secret Doctrine by H P Blavatsky, Quest Book, Theosophical Publishing House. He read all this out loud. Then he said, ‘I’ll have that.’

We looked at each other, pleased, and then talked about tobacco some more. Then he rushed out to do other errands, and Jim came in and ordered an esoteric type of book that I’d ordered before – for Robert. I told Jim, and he said, ‘I know, Robert gave me a lift in to Strath and told me to get one.’ So I got one for him. I said, ‘How’s Clayton, and he said, ‘Yeah, well you know how it is.’ Which I didn’t, but I agreed anyway.

The girl who was amongst the biographies came back to the counter with a pile. There was 1 historical, 5 crimes, 2 biographies, 2 children’s flats and 1 art book. She bobbed up and down while she paid, flexing leg muscles and looking powerful. I said, indicating Wolf Hall, ‘This is good’, and she said powerfully, ‘I know, my mum told me about it.’

Anthony came in for science fiction. An ambulance and police car went past, and then a CFS truck. He said, ‘that sounds bad’.

A silent young couple came in and looked at just about everything and left silently. I said, thanks for coming in, but they didn’t reply. A lady asked for a book about a certain type of guitar. Another lady asked for spiritual Christian fiction and then left with nothing and looking unsatisfied. I went to the bakery for a chocolate doughnut and there were none left and I came back with nothing and feeling unsatisfied.  

Then someone tapped on the window and called out to his friend that Paul Keating has an amazing intellect. The friend nodded with folded arms not looking interested. The man remained bent over and slowly examined all the other books in the window. They didn’t come in.

All in all a satisfying day. Except for the autumn leaves. Lol.

Illustration by Konstantin Mashkarin

The money exchange and the man who only got a coffee for himself

A reader in the shop needs money for her books. She calls her husband from the back room, and he comes slowly because he is carrying his own books. But he offers his wallet. Then he says,

‘You just snatched. You just took a whole hundred.’

‘Well get some more. Go get some more.’

The husband looks at me and says, ‘Oh My God.’ Then he leaves his books on the counter and goes out.

It’s a slow day. Two other people are talking about land development in the front room. One says, ‘Yes, but that’s very sensitive information.’

Browsers are moving slowly. We all have the autumn slows. The money lady is checking her phone against the books she is holding.

A group of three ladies, all wearing black jackets, pass the door, all talking fast and loudly. I hear one sentence:

‘How does she know about it none of us talk about it I mean settle down.’

Then they’re gone.

Then the husband comes back with more money and a coffee. His wife, the one checking her phone, looks at the coffee. He says, ‘Oh My God,’ again, and looks up at the roof, and then gives her his coffee.

Then they pay for all their stuff, all good books, even a copy of Cosmo Cosmolino, and go back out in the sun to the bakery to get another coffee probably. When they walk away, they are both looking down at their books and she is drinking the coffee.

Painting by Im Buchladen