Pieces of cause

The cold is losing interest; turning slightly to ease its aching self. People notice it.

They meet outside my door because it’s an intersection; there’s carparks, a bus stop, the train station, toilets, a bakery, Woolworths, two bookshops, a good solid rubbish bins: a small and complete town.

People meet in person, not intending to, but prepared to follow it through. They recognize someone, lean slightly backwards, make a small movement of the head and neck:

‘It’s you. How are you? Not see you for ages.’

‘Oh yeah. Same day, same shit. You know. Sick of the weather. You know.’

‘I know. I know.’

These two moved together past my door and stood at the window. They are older than me. He is asking her things. She points left, then right and grips her purse. I hear her say,

‘They’re only going to take his stitches out. You want a coffee or anything?’

He does. The conversation has warmed. They change directions, moving back the other way, leaning toward each other. He is saying,

‘Oh well, oh well.’ Then they’re gone. A fragment, no, an edge of the vast.

Then, just voices. I’m busy and can’t look up. But it’s a song of consolation in two parts, but I could only hear one part.

‘Ohhh, ok.’

‘Ohhhhhhhhh yerrrrrs. Ok. Oh I know.’

‘Ooooohh ok. Omg. Goodness.’

Then silence. Then fresh strong new voices: two men with iced coffees, ‘Fuuuuuugn hell. What a pair of fugn morons.’

Then an ambulance siren coming past and a pair or travellers coming through the door, and one saying, ‘They’re second hand books, but that doesn’t bother me.’ And she asked me, ‘Are these second hand books?’ and I said they are, and she said, ‘Well that doesn’t bother me.’

Behind them, two old men walking side by side past my door, one holding the shoulder of the other, and both of them rocking from side to side but making progress anyway.

Sarah dropped in to tell me that phones are going up, ‘Someone bought one for $150 the other day. Ridiculous.’

She told me that politicians give her the shits and that Scott Morrison has made a mess of things. She likes the bit of sun that’s coming through at the moment. ‘But it won’t last.’

A lady asked me if my shop was a library or a shop, and her friend said, ‘No, it’s a bookshop, a second hand bookshop. Don’t be silly.’

A lady said, ‘I want to inhale this music.’ The music was Bill Evans, Peace Piece, way too dense to inhale. But she stood leaning backwards and took the music in through her bones anyway.

‘This GPS is still telling us we’re still coming into Strathalbyn. But we’re right here. ‘Friends shrieked, laughing at technology, which strives, but can’t quite capture what is really happening.

‘I only have the classics now. Everything else is on my kindle.’ A customer, apologetic. No need though.

Two teenage girls clambered behind my counter to get at the Billabong books, Anne of Green Gables, What Katy Did. Their mother horrified. ‘What on earth are you doing?’

They said, ‘These are here.’

A good explanation. I approved. They paid with coins, cradling the volumes as young people do because the books are alive full of blood and future, which causes them to cradle the volumes. Lovingly.

Do you know how much pages there is in this dog book?

There’s a couple of families in the front room of the shop, nicely tangled and knotted, as families tend to get when they’re relaxed and warm. I like to listen to them. This little question was flung.

‘Do you know how much pages there is in this dog book?’

Someone answered, ‘Mmmm.’

‘There’s 3080.’

‘Yeah?’

There was a soft clatter: books falling.

‘Careful.’

‘I want the first Goosebumps.’

‘I want Selby.’

‘Does that say 3080?’

‘Brian, leave the pram alone.’

‘You read this, Helen?’

‘Long time ago. Give us a look.’

‘Taylor. Is that where they go? Looks wrong.’

A parent wandered out with a paperback clamped under one arm. He consulted his phone. A child followed, holding the parent’s hand, swinging from it, leaning in, clamping an ear to the parent’s thigh and walking easily, a delicate and bent stalk. The father rested the paperback on the child’s head. She smiled.

‘You ready, Troy?’

‘Yeah.’

This family left with an old soft copy of Animal Farm, held carefully in anticipation, and which had recently balanced briefly on a child’s ageless and silky thistledown hair.

The family left in the front room continued buzzing softly.

‘Does this say three thousand and eighty?’

‘Maybe. Look at the numbers.’

‘It says 38.’

‘I think so, too.’

‘Can I get it?’

‘You should.’

The child emerged with the book. They held it up to me with two hands: an offering.

I asked for the necessary $3. The child had the coins. We exchanged the necessary courtesies:

‘Enjoy your winter reading.’

‘Ok.’

I watched them leave, a family, a nub of 3, moving in and out of each other’s thoughts faster than any forlorn and hopeful technology. The child was showing the book to the parent; the child’s face was unable to hold a shape, the jaws compliant and full of heat, trying to find an outline for the significance of the purchase; the bliss of carrying home a bliss.

The family collided with itself in the doorway. A bandaid came away from someone’s small wound and lay flat and spent on the mat. The mother said, ‘Come on,’ and they sailed clumpily out. In the pram, I saw a tiny foot raised straight up; a flag.

Artwork by Le Chat Peles Collective

The urgent child reader

She’s a little reader, but an enormous one. I can tell. They stand there and don’t need to tell me anything. Then I think, ok.

They look through everything kindly. They know what they need.

‘I need Artemis Fowl’.

I say, ‘Ok.’ And we go to look for it.

Young readers are always kind.

‘I need number 5.’

‘Ok.

‘I also need Tolkien.’

‘Do you mean The Hobbit.’

‘No, I’ve read that.’

I say doubtfully, ‘Lord of the Rings?’

‘No.’

‘I’m sorry.’

‘It’s ok.’ Said to me warmly.

‘Hmmm.’

‘I also need the Flood books.’

‘Ok.’

‘I’m up to number 11.’

‘Oh dear.’

‘It’s ok.’ Said to me warmly.

‘I also need.

‘I also need.

The list goes on, but I don’t have it. ‘It’s ok.’ Said to me warmly. And the child reader leaves, still happy.

Then suddenly she bursts through the door again.

‘Just went to get some money from mum.’

And she gets a book. And dances back out with it held against her neck and her head going from side to side because she’s singing the title out loud and heading for the car across the road, and there’s her mum watching from the driver’s seat and ready to start the engine and get home to start dinner because it’s late now and it’s cold.

Illustration by Katarzyna Oronska

When I was small, I was bad at reading

I can still remember the teachers not being interested in my contribution. I sat at the front waiting for another chapter of Nurse Matilda and clapped my hands hopefully, and the teacher said she had a headache.

I was criticised by the outer family for always looking at a book, much like they say of young people now: always on their phones. I was always on my book. Little Women when I should have been outside. Harriet The Spy when I should have been asleep. Heidi when I should have been at the table.

Lucky I had reading parents: I was surrounded by stuff to read.  But not reading grandparents: I should have been exercising. Out in the sun. Making conversation. Attending. Changing my frock. That orange frocking frock with frocking white daisies on the front. I read The Magic Faraway Tree,  I stood in the backyard and looked at the fig tree for a long time. Too long. My Nanna, who only read the bible, boxed my ears for not being organized. My Grandfather gave me the hose as compensation. Do a bit of watering, he advised me sadly.

When my Nanna died, they found Mills and Boon novels amongst her private things, one of them tucked paperbacky cosy inside her old leather bible. So.

At school I read too fast and skipped bits. Whole pages even. It was because I was trying to get at the salt. Some books took too long.

I could not read the words “old” or “egg” for a long time. Those words, “old” and “egg”, would not form sounds for me.

In high school, I didn’t do much better.  I loved the books but read too fast. Or too slowly and couldn’t write essays very well. Didn’t get the questions.

I loved Sons and Lovers because the mother boiled potatoes in a saucepan. She peeled the potatoes angrily. The boy was anxious to get to the fair. He took his pudding in his hand. This scene is precisely why Sons and Lovers is a Great Book. And – the children in the book playing games and skipping furiously pressed into the dusk and the dirt in the back lane at the back of their houses. But I wasn’t there.

But you can’t write about that, so in year 10, I failed the essay. Then I read nearly everything in the high school library. I read  H E Bates who wrote about hot in The Purple Plain: what it’s like to be in a tent in the heat, and I never forgot about the heat in that tent, but you can’t write about that.

I read Rebecca, which was too luscious to write about, and The L Shaped Room, where a woman walked along in the rain whipping the trees with a sodden gum branch in her hand. And East of Eden, which I tried to read out loud to my mum, the whole book, while she chopped vegetables with an exhausted knife.

Then The Dark Is Rising books which probed terrors not worth disturbing again. A steady line of books form the Adelaide Children’s Library. Then The Wizard of Earthsea, and a time of no reading because I had to draw up my own map of Earthsea.

“The yellow smoke hissed from the dragon’s nostrils: that was his laughter.”

 I believed for a long time (without realizing it) that there was a right way to read; that reading was a country with policies. Then I saw that it wasn’t.

A million more books came at me fast from every direction and never letting up. So I opened a bookshop. It seemed the only way to survive the onslaught.

“The trouble with books is that they marry and have children.”

The books I am asked for every day represent the kind of reading that people are looking for right now in their life. The books don’t fit any category that I can see, except the category of The Reading That Is Needed Right Now.  

The readers who have requested books recently are aged between 7 and 82. They are locals, visitors, and travellers. Some are students, and most are young readers. A few are requesting books for others but most are collecting for themselves. Most older readers say, ‘I don’t really need any more books, but I’m getting them anyway.’ Young readers say, ‘I need more, but I’m only getting these today.’ The requests never end.

Book requests include:

Asterix in Switzerland

The Pioneers of the North-West of South Australia by Norman Richardson

Light Perpetual by Francis Spufford

Anything by Christopher Fowler

William Blake

Winnie the Pooh

All Creatures Great and Small by James Herriot

The Odyssey

Burial Rites by Hannah Kent

Hearts in Atlantis by Stephen King

Anything by Daniel Silva

All the Lucinda Riley Seven Sister books

The Hunger Games trilogy

The Count of Monte Cristo by Alexander Dumas

Carpentaria by Alexis Wright

The Red Badge of Courage by Stephen Crane

Any books about Paris

Cat and Mouse by Gunter Grass

Book 3 of the Skulduggery series

Little Women by Louisa May Alcott

Middlemarch by George Eliot

Any Wings of Fire books

Anything by Henry James

Dune by Frank Herbert

Possum Magic by Mem Fox

Absolutely anything by Pittacus Lore

Any atlas of the world – as modern as possible

Anything about Vikings

A History of Western Philosophy by Bertrand Russell

The trouble with books is that they marry and have children.

Angela Thirkell (1890-1961)

Young readers check the weight and shape of a book

This is what young people do when they are choosing a book.

They don’t just read the title and note the author. There is much more going on than that . That alone is far too mere for today’s young readers. Who, of course, don’t read because they are always on their phones.

Young readers turn a book and hold it flat in the palm of the hand. There is information to be gained by doing this. They weight the book up and down. I have seen them do this while looking away into space.

They consider the back, the front, and sometimes, the extreme edges of the volume. Young people are not pressed flat by time (yet). They apply fingertips to pages and corners as though seeing into the writing this way. They purse lips and breathe energy into decision. One girl folded her hands under her chin and clenched them tightly. Staring at a volume placed at an angle to catch two kinds of light.

‘Bitch, I’m getting this.’

The friend agrees without looking. She has her own dilemma. A hardback copy of The Virago Women Traveller.

Sometimes they consult information via iPhone. They look from phone to book, screen to page, text to text. Ah… not so different after all.

They whisper, Anne McCaffrey died in 2011.

They assess something by holding a book by the spine with just two fingers. They turn their face from side to side to get at every sensation. They place fingertips on titles. It’s as though they are handling holy things.

Young people when it’s really hot outside

Slide and glide. That’s how they come in, and when I look up, there they are, pale and cool and never complaining. Young people stand humbly, looking up at the shelves, and then glance quickly and apologetically at me as if they shouldn’t be in here. Unfailingly polite.

It’s very hot this morning. But you’d never know it. Young people don’t comment on the weather; they just let it lie around outside and pile up at the door if it wants to.

A boy wanted a love book by an African writer, but I didn’t have it, and we couldn’t even order it, except from France. He looked at me sadly. And a girl swung about with a pile of 7 waiting for her grandmother who only had 2.

And another younger girl sat in the bird books just reading them as if they were novels. She was about 13, and wore a curious beanie, and she bought 3 books, one about The English Plover, because she loves birds.

Then it got hotter, and all the young people left, passing out into the heat without comment, and the bird girl carrying her three books in a pile on her head.

10 reasons to read Clever Polly and the Stupid Wolf

I just read it again, which will make the 8th or 9th time. It was my best book when I was 9 years old. Luckily, I’ve still got it.

1. The first line is One day Polly was alone downstairs so you know where you are and what’s going to happen when the doorbell rings.

2. The third line is There was a great black wolf and he put his foot inside the door and said: “Now I’m going to eat you up!” so you know where Polly is and what she has to do.

3. Everything that happens in between is correct.

4. Polly, like Pippi Longstocking and Mrs Pepperpot, is a forerunner of some of my best female heroes: Julie (from Julie of the Wolves), Harriet (from Harriet the Spy), Ramona (from Ramona the Pest) Matilda Wormwood (from Matilda), Laura (from Little House on the Prairie), and Dolour (from Harp in the South), Currency (from One-a-Pecker, Two-a-Pecker), and Tiffany Aching (from Wintersmith).

5. Polly and the wolf fight psychological battles that a child can totally understand

6. Polly always wins

7.The wolf never stops trying

8. In the end, Polly is still winning, but the wolf is also still trying

9. It’s hilarious

10. You can enjoy it over and over for 45 years (so far)

The difference between working in a book shop last year and every other year I’ve been here

There is no difference between last year and every other year I’ve been here. There were small things, like mask wearing and checking in, but people, and my shop, basically remained the same:

  • The quality of customer-peering (through the door) remained the same
  • The record number of books held under one arm while browsing stayed the same (9)
  • The same books fell off shelves and tables in the night and dented their own covers
  • The streams of conversation passing the door were as intense, rich, and deeply textured as in 2014
  • Dogs still urinated just outside my door
  • Children still read on their knees and replaced the books backwards
  • Window books continued to draw clear, crisp and authoritative comments from passers-by.
  • Young people gazed through the front window at a single book on the table with the same unreadable facial expression.
  • Readers still bought bookmarks
  • Everyone still turned to open the door the wrong way
  • Readers still went silent when they find a book they really want and then breath slowly outwards
  • People still come in thinking I’m the bakery

What didn’t stay the same:

  • My landlord died

This was sad because Malcolm liked my shop and used to leave books for me in the storage room. It’s only because of Malcolm and Ann that I’m still here.

I’ve been really lucky for a long time.

Sculpture by Eudald De Juana

Unsquared again! And the boy who bought his sister a bookmark

A big old straggling family come into the shop. Lots of them and stretched across a few generations. It was raining outside, the wind blowing it against the door. All of them had rain on their shoulders. One man was wiping if off his glasses. A girl texted on her phone with the rain misted all over it. They were lively and unorganized, so I gave them Dave Brubeck’s Unsquare Dance (on my Boombox speaker hidden away behind a pile of Dickens).

‘Oh my God, remember this song? Remember this movie?’ A young man elbowed an older man, an uncle maybe, who didn’t respond; he was looking at a biography of Mao.

The young man moved into a small private dance.

The family began to disperse. Some back outside, some into Classics, some into their phones. The dancing man continued on next to me. He used just two soft square feet of carpet, eyes closed, one hand still holding a copy of Treasure Island, the volume he had picked up just as Brubeck began his idea.

The family talked in small groups. Rotated and change their gestures. Head to head; an argument about tall ships, chin and eyes showing authority. There is whispering, hissing, and then pushing. Family member are on phones, on knees. The dancing man still scratching the beat in the air. An old lady, a grandmother maybe, looked at him over the top of her glasses. She has a copy of Wolf Hall. Later she puts it back. The music ends, and the young man straightens up unconcerned and moves into the front room. My playlist moves to Pavlov Stelar’s Hit me Like a Drum. The old lady suddenly becomes mobile and warm and strong. She dances three steps, one after the other. Then she stops and looks at me sternly. She moves into another room.

I play Alexis Ffrench’s At Last, and a lady in Gardening sighs and puts her head on one side. Who is she? Is she with them?

There’s another argument. What’s the capital of Romania? ‘You wouldn’t know, Graham.’

‘Look, mum, it’s a bunch of breeds of cats. You don’t want that, mum. Look at this. Get it. Get it for your shelf.’ Mum shakes her head.

Someone reads out loud three times, ‘The Cats of Dipping Dell’.

‘Found anything of interest, Margaret?’

‘Well. No.’

A boy buys a bookmark for his sister. He says, ‘Quick, before she comes back.’

The all stream out, and on the way Papa purchases a copy of Pinocchio for Lilly, who says, ‘Yes, I’ll read it. Stop asking me that all the time.’

The boy who bought the bookmark is last. He looks back at me. His face is a lit lamp.

They’re gone.

Illustration by Sarah Jane